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The Four Truths of the Storyteller

Storytelling Writing Creativity Reading Listening. Temporarily, it clears your head. Permanently, it transforms your life. Writing works like magic. The Writing Cooperative Follow. A writing community and publication focused on helping each other write better.

The Storyteller's Secret From TED Speakers to Business Legends Audiobook

See responses 1. Discover Medium. Make Medium yours. Become a member. This requires a willingness to surrender ownership of the story.


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Business leaders need to tap into this drive by using storytelling to place their listeners at the center of the action. She often tells her life story in a way that anyone can identify with, recalling how she felt like an outcast at her all-girls school as a teenager—with glasses, braces, and corrective shoes—and how that prepared her for the rigors of her professional life. When you hear Krawcheck describe her journey in these terms, you know exactly how she feels.

Perhaps of equal import, business leaders must recognize that how the audience physically responds to the storyteller is an integral part of the story and its telling. Communal emotional response—hoots of laughter, shrieks of fear, gasps of dismay, cries of anger—is a binding force that the storyteller must learn how to orchestrate through appeals to the senses and the emotions. Getting the audience to cheer, rise, and vocalize in response to a dramatic, rousing conclusion creates positive emotional contagion, produces a strong emotional takeaway, and fuels the call to action by the business leader.

The ending of a great narrative is the first thing the audience remembers. The litmus test for a good story is not whether listeners walk away happy or sad. Orchestrate emotional responses effectively, and you actually transfer proprietorship of the story to the listener, making him an advocate who will power the viral marketing of your message. A great storyteller never tells a story the same way twice.

Instead, she sees what is unique in each storytelling experience and responds fully to what is demanded. A story involving your company should sound different each time. Whether you tell it to 2, customers at a convention, salespeople at a marketing meeting, ten stock analysts in a conference call, or three CEOs over drinks, you should tailor it to the situation.

The context of the telling is always a part of the story.

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And it did, though the information had been gathered in advance. There is a paradox here. Great storytellers prepare obsessively. They think about, rethink, work, and rework their stories. When we help companies sell themselves to Wall Street, we often see the CEO and his team present their story 10, 20, 30 times. And usually each telling is better and more compelling than the one before. At the same time, the great storyteller is flexible enough to drop the script and improvise when the situation calls for it.

Why Good Storytellers Should Be Writers

Actually, intensive preparation and improvising are two sides of the same coin. If you know your story well, you can riff on it without losing the thread or the focus. At the storytelling dinner, scientist and science fiction writer Gentry Lee told us about appearing on a public panel about alien abductions. As you might expect, the two abductees had colorful, vivid, fascinating stories to tell. The listeners were literally standing on their feet, clapping and cheering.

But he could see that the frenzied audience was in no mood to absorb his lengthy presentation. All he said was this:. And yet, despite all these hundreds of supposed abductions, not a single souvenir has ever been brought back—not a single tool or document or drinking glass or so much as a thimble! Given the total absence of any physical evidence, can we really believe these extraordinary claims? This simple, unadorned statement—improvised on the spot to startle the audience into a fresh way of thinking—completely transformed the situation.

Most of the throng changed from true believers to thoughtful skeptics in just a few moments. A great storyteller is devoted to a cause beyond self. That mission is embodied in his stories, which capture and express values that he believes in and wants others to adopt as their own.

Thus, the story itself must offer a value proposition that is worthy of its audience. The mission may be on a national or even global scale: To land a man on the moon and return him safely to Earth. To win the Cold War and bring freedom to millions of people around the world. To reverse global warming and save the planet. Or the cause may be more modest but still important, at least to the storyteller and his audience: To turn around a company that is floundering and save hundreds of jobs.

To bring a great new service to market and improve the lives of customers. In any case, the job of the teller is to capture his mission in a story that evokes powerful emotions and thereby wins the assent and support of his listeners. Everything he does must serve that mission. This explains the passion that great storytellers exude. They infuse their stories with meaning because they really believe in the mission. I truly believed that our program on the history of Havana harbor was important: We had shown up to do something that was bigger than the swirl of temporary political bargaining between our countries, and we had bet the farm on the journey.

When truth to the mission conflicts with truth to the audience, truth to the mission should win out.


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  6. Dialogue is also shorter and punchier than narration. Finally, another advantage of dialogue is that it allows you to use vocal variety — to slightly change the pace, pitch and volume of your voice to reflect the emotions and speech of the different characters in your speech. As a result, your delivery will be more dynamic and engaging. When delivering your story, always use dialogue — not narration. If you want to change the world, you need to change your story. This truth applies both to individuals and institutions.

    If you want to learn about a culture, listen to the stories. If you want to change a culture, change the stories. Then, using what we learn from Joseph Campbell, you can turn those values into a resonant moral of the story and create a story structure that will appeal to the heroic potential in your audiences. These models show us a clear alternative to the dark, limited view of human nature inspired by Freud and brought to the marketplace by men like Edward Bernays.

    Tell the truth.


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    In other words, live the truth. And a plot or journey that you invite them to join you on to reach those desires. These myths will shape our future, how we live, what we do, and what we buy. They will touch all of us. But not all of us get to write them. Those who do have tremendous power. You start to believe your idea will sell itself if you can just reach out and tell people about it.

    ‘The Storyteller’ Reimagining In Works by Neil Gaiman, Jim Henson Co. & Fremantle

    Am I really an artist? The counterfeit innovator is wildly self-confident.

    doribato.com/wp-content/4.php The real one is scared to death. Fear is good. Like self-doubt, fear is an indicator.

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    Fear tells us what we have to do. Remember one rule of thumb: the more scared we are of a work or calling, the more sure we can be that we have to do it. He will be dining for the duration on a diet of isolation, rejection, self-doubt, despair, ridicule, contempt, and humiliation. The warrior and the artist live by the same code of necessity, which dictates that the battle must be fought anew every day. The critic hates most that which he would have done himself if he had had the guts.

    The professional shuts up. She does her work. Either write something worth reading or do something worth writing about. But tell me a story and it will live in heart forever. We restore order with imagination. We instill hope again and again. It encourages dialogue, engagement and interaction among equals — an exchange of meaning between people. Yet many companies and brands are still relentlessly pushing messages out, hoping that with enough repetition, something will stick.

    Where there is perfection there is no story to tell. Stories give it form. But tell me a story and it will live in my heart forever. When we want to communicate important information, we tell a story. We come with it.